Sarah Kelly Oehler
Georgia O'Keeffe
A revelatory study of Georgia O’Keeffe’s New York paintings of the late 1920s and their deep significance within the artist’s development In 1924 Georgia O’Keeffe (1887–1986) first moved to the Shelton Hotel in New York with her husband, the photographer and art dealer Alfred Stieglitz. The Shelton was Manhattan’s earliest residential skyscraper, and its dizzying heights inspired O’Keeffe to create a powerful series of approximately twenty-five paintings and numerous drawings over a span of about five years. She called these “my New Yorks,” and they overwhelmingly consist of two types of compositions: sprawling observations looking down onto the city and humbling views directed up at the newly built urban monoliths.
A revelatory study of Georgia O’Keeffe’s New York paintings of the late 1920s and their deep significance within the artist’s development In 1924 Georgia O’Keeffe (1887–1986) first moved to the Shelton Hotel in New York with her husband, the photographer and art dealer Alfred Stieglitz. The Shelton was Manhattan’s earliest residential skyscraper, and its dizzying heights inspired O’Keeffe to create a powerful series of approximately twenty-five paintings and numerous drawings over a span of about five years. She called these “my New Yorks,” and they overwhelmingly consist of two types of compositions: sprawling observations looking down onto the city and humbling views directed up at the newly built urban monoliths.
| Jazyk | anglický |
| Vydavateľ | SLOVART |
| Počet strán | 216 |
| Typ viazania | Hardback |
| Hmotnosť (g) | 1576 g |
| Rozmery (š-v-h) | 238 x 314 x 26 |
| EAN | 9780300275759 |
| Dodacia doba | nedostupné |
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