Ken Gelder
The Subcultures Reader
First coined in the 1940s, the term "subculture" has been applied to society's most interesting, and, often, most inventive elements. Through a collection of articles written over the last 50 years, this book traces both the history of the academic study of subcultures and the history of subcultures themselves. While you'll find the usual assortment of articles on punk rock, street gangs, and Star Trek fans, what is perhaps most interesting are the articles from the early days of "subculture studies." Two of the highlights include a piece by Paul G. Cressey on 1930s taxi dancers and their opinions on race and class, and an article by Howard Becker on the language and attitudes of jazz musicians in the early '60s. The 55 selections in this volume offer a rich spectrum of subcultures and the academic responses they have evoked. About the Author: Ken Gelder is a Reader in the Department of English and Cultural Studies at the University of Melbourne. His books include Reading the Vampire (1994) and, with Jane M. Jacobs, Uncanny Australia: Sacredness and Identity in a Postcolonial Nation (1998). He is also editor of The Horror Reader (2000). His new book, Popular Fiction: The Logics and Practices of a Literary Field, will be published by Routledge in December 2004.
First coined in the 1940s, the term "subculture" has been applied to society's most interesting, and, often, most inventive elements. Through a collection of articles written over the last 50 years, this book traces both the history of the academic study of subcultures and the history of subcultures themselves. While you'll find the usual assortment of articles on punk rock, street gangs, and Star Trek fans, what is perhaps most interesting are the articles from the early days of "subculture studies." Two of the highlights include a piece by Paul G. Cressey on 1930s taxi dancers and their opinions on race and class, and an article by Howard Becker on the language and attitudes of jazz musicians in the early '60s. The 55 selections in this volume offer a rich spectrum of subcultures and the academic responses they have evoked. About the Author: Ken Gelder is a Reader in the Department of English and Cultural Studies at the University of Melbourne. His books include Reading the Vampire (1994) and, with Jane M. Jacobs, Uncanny Australia: Sacredness and Identity in a Postcolonial Nation (1998). He is also editor of The Horror Reader (2000). His new book, Popular Fiction: The Logics and Practices of a Literary Field, will be published by Routledge in December 2004.
Jazyk | anglický |
Vydavateľ | Routledge |
Rok vydania | 2005 |
Počet strán | 639 |
Typ viazania | Softcover |
Hmotnosť (g) | 1215 g |
Rozmery (š-v-h) | 170 x 240 |
EAN | 9780415344166 |
Dodacia doba | nedostupné |